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You can view the lyrics, alternate interprations and sheet music for Tom Waits's Tango Till They're Sore at Lyrics.org.
- Music Video
- Lyrics
- Song Meaning
- Hounds of Fate and Floors of Despair: The Setting
- The Confetti-Crowned Confessions: Unpacking Secrets and Lies
- The Solemn Serenade of Shadows: A New Orleans Funeral
- All Dressed Up for the End: The Hidden Meaning Disguised in Calico
- Echoes of Evermore: The Resonance of Memorable Lines
Lyrics
Well, you play that tarantella, all the hounds will start to roar
The boys all go to hell and then the Cubans hit the floor
They drive along the pipeline, they tango ’til they’re sore
They take apart their nightmares and they leave them by the door
Let me fall out of the window with confetti in my hair
Deal out Jacks or better on a blanket by the stairs
I’ll tell you all my secrets, but I lie about my past
And send me off to bed for evermore
Make sure they play my theme song, I guess daisies will have to do
Just get me to New Orleans and paint shadows on the pews
Turn the spit on that pig and kick the drum and let me down
Put my clarinet beneath your bed till I get back in town
Let me fall out of the window with confetti in my hair
Deal out Jacks or better on a blanket by the stairs
I’ll tell you all my secrets, but I lie about my past
So send me off to bed for evermore
Just make sure she’s all in calico and the color of a doll
Wave the flag on Cadillac day, and a skillet on the wall
Cut me a switch or hold your breath ’til the sun goes down
Write my name on the hood, send me off to another town
And just let me fall out of the window with confetti in my hair
Deal out Jacks or Better on a blanket by the stairs
Tell you all my secrets, but I lie about my past
Will you send me off to bed for evermore?
Fall out of the window with confetti in my hair
Deal out Jacks or better on a blanket by the stairs
I’ll tell you all my secrets, but I lie about my past
Send me off to bed for evermore
Send me off to bed for evermore
Tom Waits’s ‘Tango Till They’re Sore’ is a jaunty, piano-driven romp through the back alleys of a carnival-esque dreamscape. It’s a song that seems to celebrate the chaotic and the macabre, all while a mournful undercurrent betrays a knowing wink. Behind the veil of its ebullient tempo and the raucous bravado of its presentation, the song carries profound meditations on life, death, and the often carnivorous march towards the latter.
As Waits howls his lyrics over the rollicking melodies, he invites the listener to delve beneath the surface, joining him in a symbolic dance of existence in which each phrase becomes a step, each verse a movement in a grand, if somewhat grim, tango.
Hounds of Fate and Floors of Despair: The Setting
Waits crafts a scene where ‘all the hounds will start to roar’ and ‘the Cubans hit the floor,’ instantly propelling us into a raucous realm where the boundaries between celebration and catastrophe are blurred. The song’s scenery lingers in liminality, painting a picture of a world eternally perched on the edge of revelry and ruin.
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The reference to driving ‘along the pipeline’ and tangoing ’til they’re sore’ might evoke the relentless grind of life and the inevitable bruises we collect as we ‘take apart [our] nightmares.’ This dismantling of fear at the doorstep alludes to the resilience of the human spirit, determined to dance through adversity.
The Confetti-Crowned Confessions: Unpacking Secrets and Lies
The chorus’s vivid imagery of falling from a window with ‘confetti in [one’s] hair’ juxtaposes the celebration with a plummet – perhaps from grace, into indulgence, or towards mortality. Confetti, typically a symbol of joy, becomes a backdrop for a fall from innocence or an escape into a night one hopes never to end.
This act of confiding secrets ties to the central theme of authenticity and deception. Waits promises truth while simultaneously admitting falsehoods about his past, painting a portrait of a narrator at once vulnerable and guarded, open yet opaque.
The Solemn Serenade of Shadows: A New Orleans Funeral
When Waits invokes New Orleans, he undoubtedly taps into the city’s rich funerary traditions, including jazz processions that celebrate life in the face of death. The imagery of ‘shadows on the pews’ hints at the intersection of spirituality and mortality, grounding the wild tango in the solemnity of a final farewell.
The performer’s ‘theme song’ and the mundane ‘daisies’ imply a yearning for individual legacy despite an acceptance of ultimate insignificance. Yet, there’s a playful spin to this acceptance, as if insisting that the melody of one’s existence could outlast the silence of oblivion.
All Dressed Up for the End: The Hidden Meaning Disguised in Calico
A deeper probe into ‘Tango Till They’re Sore’ unearths a rich soil of existential contemplation. Waits dresses his thoughts on transience and legacy in ‘calico’ and ‘the color of a doll,’ blending innocence with the inevitable wearing down of all things bright.
Lines like ‘cut me a switch or hold your breath ’til the sun goes down’ serve a dual purpose: they remind us of childhood’s fleeting nature and adulthood’s burdens. Yet, they also serve as a mantra to grasp life fiercely, to breathe deeply of every moment before dusk inevitably falls.
Echoes of Evermore: The Resonance of Memorable Lines
From the frenzied dance floor to the ‘blanket by the stairs,’ the song’s verses are stamped with memorability. ‘Send me off to bed for evermore’ is a wistful refrain that seems to wish for both rest and the finality of ‘evermore.’ It’s a phrase loaded with gravitas, lightly delivered, sticking in the mind long after the piano’s last note decays.
Waits’s ability to imbue nursery-rhyme simplicity with existential depth is a hallmark of his songwriting. It turns what might have been a simple tune into a piece that challenges listeners to ponder while they tap their feet, to contemplate the inevitable ‘sending off’ even as they reel in the dance of the now.
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